Adventures: Politically Incorrect Anti-Establishment Fun

You don't know
politically incorrect
until you've read
THE MOTHER OF ALL

politically incorrect ravings:


 

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Original Svejk illustrations by Josef Lada ...


to see
original Svejk illustrations
by Josef Lada

 

 

See and hear what others 

are saying about our book:  

See what others are saying! Politically incorrect ravings of the European Forrest Gump.

 

"For us, who are in a business for themselves, politics has no currency.  Pay for your beer and sit in the pub, and babble all you want.  That is my principle.  Whether it was a Serb or a Turk who shot our Ferdinand, or a Catholic, Mohammedan, anarchist, or Young Czech, it’s all the same to me."

Palivec,                        
the pubkeeper at the Chalice


Now that you have heard of, or might have even served in Sarajevo and Bosnia Herzegovina
why not Like many great artists, Jaroslav Hasek was a happy confluence of genius, talent, time and place. His talent and genius are widely acknowledged by scholars worldwide. They point to his ground-breaking contribution in transforming and modernizing the novel and making it relevant for our time. And, in the non-English-speaking world, his work has long been loved by legions of regular folks. At any rate, you will soon be able to judge his talent and genius for yourself.
the Primer on World War
         Madness Survival:
He was one of that generation which fully fought with the problems of the modern world. He was one of the artists at the start of the century who so splendidly cast light on the question of a live, valid, meaningful art worthy of the time. He was a curious, not easily understood person, too mobile and opaque for portrayal. As a creator, (he was) seemingly careless, natural, (and) spontaneous, ... but, in reality (he was) sharply discerning and refined in his specific type of non-literariness ... (he) was working farsightedly in the field of language and style, with something that was to become the shape of (the) speech of the century.

"...Prague, at the turn of the century, was a collage city. Phenomena torn from different, mutually antagonistic contexts met there and clashed. Stage sets were grotesquely displayed there, set in motion, on the one hand by the natural demands of the advancing modern age, on the other by inert or artificially preserved myths. We can clearly consider this fact to have been exceptionally worthy of attention both in regards to the works of Franz Kafka and the works of Hašek....Myths and pseudomyths quite undoubtedly influenced these two Prague authors. (These were) myths that substituted in so many ways for objective law and order. (They were) out-of-date, incomprehensible and unacceptable myths.....

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